machines for hands. one out, two close, eight still in the lab.
A tiny solar system that plays piano. Fling orbs into the plane, drag the gravity well around, and every wall they hit lands in key. You set the conditions. The physics does the playing.
4 orbs / 16 scales / 8 plane shapes / 11 tuning systems / MIDI + OSC outVST3, AU and standalone · Windows, macOS
buy gravitythe demo is the whole instrument. it goes quiet at intervals until you feed it a key.
AUv3 and standalone · AUM, Loopy Pro, GarageBand, Logic
two more are close. leave an email and hear the day they land.
The sequencer with no piano roll. Paint rectangles on a canvas: where one sits is when and what it plays, its size is how long and how loud. Four colors, four voices, and each color loops at its own length, so the pattern never quite repeats.
4 color channels / granular sampler / fractal visuals / DAW tempo sync
Your finger is the bow. Six voicings from violin to double bass. Where you touch is the note, how fast you move is the stroke, and it squeaks if you lean on it. The loopers record the gesture rather than the sound, so a phrase you played on the cello can be replayed on the bass.
6 voicings / 4 gesture loops / 15 strings at once / MIDI outbuilt and playable, not finished. no dates. specs and manuals return when each one is close.
Five channels of drums, a hex keyboard for melodies, and two XY pads of effects. Made to be played live, with fingers, without looking down.
Ink is the score. Draw strokes and beams of light read them back as notes, so the audience sees every note the moment they hear it.
A honeycomb keyboard bolted to four loopers. Four melodies at four different lengths, drifting in and out of phase.
Hang ropes from a rail and let the orbs swing, strum, and collide. Wind, gravity, and mass decide the timing. The music is found, not written.
A performance sampler wearing an 8×8 grid, built around the Novation Launchpad Mini MK3. Four banks, 64 pads, loops that slice themselves.
Autotune, vocoder, and saturation on five pads where the knobs should be. One pitch pad and four macros run the whole chain.
Press, knead, and smear a thick fluid with your fingers. The terrain you leave behind is what the melody has to cross, and it slowly flows back while you watch.
A small world that never stops sounding. Wind, rain, insects, water, and a horizon, scrolling toward you on a timeline you can grab and drag.
Five-track percussion sequencer with granular sampling or oscillators. Probability-based sequencing for organic variation -- a 32-step pattern that sounds fresh every time.
All the squelch of a 303 with none of the programming headaches. Real-time pattern sculpting with overload, wobble, and mangle effects.
Draw square and rectangle shapes in a sequencer plane where each color maps to a different sound. Half art, half madness -- inspired by projection touch screen performances.
Tap melodies into a real-time sequencer with probability and chord scaling. Works with touchscreen or Novation Launchpad.
Touch screen and Leap Motion controlled violin with multitrack real-time looping, effects, and fractal visualizations. Create hair-raising musical pieces with a single finger.
16 independent drum voices with granular synthesis engine. Real-time parameter modulation with drag-and-release quantization.
leave an email and hear the day Squares and Violince land. one message per launch, nothing else.